A collaborative exploration of cinematic rhetoric.
A huge portion of the modern idea of what a western is can be traced back to an Italian director with an appreciation for samurai films, Sergio Leone. Today Alex and Jonathan look at his influence on the spaghetti western sub-genre with For a Few Dollars More (1965), Once Upon a Time in the West… Continue reading Ep 151. WESTERNS 101: Sergio’s Spaghetti
As we continue our journey through the history of the western genre, Alex and Jonathan take a detour to Japan to discuss an era of chanbara (samurai) films that bridge the gap from classic westerns to spaghetti westerns. We're talking about Samurai I: Musashi Miyamoto (1954), Sanjuro (1962), The Sword of Doom (1966). We discuss… Continue reading Ep 150. WESTERNS 101: Westerns of the Rising Sun
Sit back and enjoy the ride as Alex and Jonathan talk through the road-trip style films of Abbas Kiarostami in Where Is the Friend's House? (1987), And Life Goes On (1992), Through the Olive Trees (1994), and Taste of Cherry (1997). We discuss the way Kiarostami blends truth and fiction, how he uses long takes… Continue reading Episode 142. Kiarostami’s Koker
The epic drama and action of director John Woo carries us away this month as Alex and Jonathan talk about The Killer (1989), Hard Boiled (1992), Face/Off (1997), and Red Cliff (2008). We talk about his pioneering of the "Honorable Bloodshed" genre, his distinct stylistic and thematic trademarks, and his continuing legacy on many modern… Continue reading Episode 139. The Dove Says Woo
One of the masters of world cinema, Japanese director Masaki Kobayashi, is the focus of today's episode as Alex and Jonathan talk through his epic trilogy The Human Condition I: No Greater Love (1959), The Human Condition II: Road to Eternity (1959), and The Human Condition III: A Soldier's Prayer (1961), as well as his… Continue reading Episode 134. Master Masaki
In another deep dive into a fairly narrow sub-genre, Alex and Jonathan crack the code on heist films by looking at Rififi (1955), Ocean's Eleven (1960), and Inception (2010). We talk about the origins and draw of heist films, the way the activity of a heist lends itself to storytelling, and how to modify the… Continue reading Episode 123. One Last Job
As a contrast to the majority of Indian film covered on the podcast so far, today Alex and Jonathan look at the works of Satyajit Ray in Pather Panchali (1955), Charulata (1964), and Nayak: The Hero (1966). We discuss what makes Ray stand out from other Indian films we've covered, how Ray is able to… Continue reading Episode 122. Subtle Satyajit
The seemingly small but poignant movement of the Taiwanese New Wave is in the spotlight today as Alex and Jonathan take a look at A City of Sadness (1989), Eat Drink Man Woman (1994), Yi Yi (2000). We discuss the atmospheric tone of the films, the introduction of humor to the second Taiwanese new wave,… Continue reading Episode 118. Taiwanese New Wave
Our Patrons voted on which of the directors we touched on in our Season 1 World Tour we should do a deep dive on and the winner was the essential Japanese director Yasujirô Ozu. We look at his films Late Spring (1949), Floating Weeds (1959), and An Autumn Afternoon (1962). We talk about the common… Continue reading Episode 116. …Ozu
There haven't been a lot of movies about pandemics, yet, but today Alex and Jonathan take a look at the various ways they have been done in the past, specifically in Outbreak (1995), Contagion (2011), and Flu (2013). We talk about the ways pandemic movies suffer from not having a defined genre, what they might… Continue reading Episode 108. Pandemic Panic
The Filmlings 