A collaborative exploration of cinematic rhetoric.
Resident animaniac Aaron Johnson joins Alex and Jonathan today to talk about a very particular period in the history of Disney animation in The Black Cauldron (1985), Who Framed Roger Rabbit (1988), and The Little Mermaid (1989). We talk about how The Black Cauldron almost killed Disney, the homages and innovations of Who Framed Roger… Continue reading Episode 87. Disney Doesn’t Die Feat. Aaron Johnson
Our Patreon family has come together to choose the topic this week, so Alex and Jonathan are looking at just that, family, in The Royal Tenenbaums (2001), The Incredibles (2004), and The Road (2009). We talk about dysfunctional families, the way films help us to open up and become closer to our family, and the… Continue reading Episode 86. Family Feud [Video]
Revenge is a universal motivator and today Alex and Jonathan take a look at how it also works to create great stories in Lady Snowblood (1973), Memento (2000), and The Revenant (2015). We talk about the various conclusions about revenge in each movie, creating films that transcend gimmicks, and revenge as an "archegenre" that can… Continue reading Episode 85. Wreaking Revenge
As a follow up to last season's episode on classic film noir, Alex and Jonathan travel through the evolution of the modern subgenre of neo-noir in The Long Goodbye (1973), L.A. Confidential (1997), and Drive (2011). We discuss ways that noir themes cross over into neo-noir, the ways neo-noir uses violence, and the changing aesthetics… Continue reading Episode 84. The New Noir
In the first of a series of episodes focusing on the cinematic contributions of female directors, Alex and Jonathan look at the career of Sofia Coppola in The Virgin Suicides (1999), Lost in Translation (2003), and The Beguiled (2017). We talk about Coppola's atmospheric style, the way she presents the relationship between men and women… Continue reading Episode 83. Films de Femmes: Sofia Coppola
According to our recent poll for our Patrons, today Alex and Jonathan discuss the ridiculous filmography of British comedy group Monty Python: Monty Python and the Holy Grail (1975), Life of Brian (1979), and The Meaning of Life (1983). We discuss the hallmarks of Monty Python's comedy, various ways to create sketch-based films around a… Continue reading Episode 82. Mighty Preposterous Monty Python
Benjamin Angrisano joins Alex and Jonathan once again, this time to take a look at one of the most famous of all film trilogies: The Godfather (1972), The Godfather: Part II (1974), and The Godfather: Part III (1990). We talk about the thematic resonance of the series, the ways the third film differs from the… Continue reading Episode 81. An Episode You Can’t Refuse Feat. Benjamin Angrisano
For the first episode to focus on an actor as such, Alex and Jonathan look at three influential leading roles played by Sidney Poitier in A Raisin in the Sun (1961), A Patch of Blue (1965), and In the Heat of the Night (1967). We discuss how acting becomes highlighted in a film which is adapted from the stage, the ways that Poitier's roles reflect his own… Continue reading Episode 80. Poised Poitier
For the final installment of the Serious Series, Alex and Jonathan talk about three films of the Pink Panther comedy franchise: The Pink Panther (1963), A Shot in the Dark (1964), and The Pink Panther (2006). We discuss about how the focus of the franchise changed with the reception of the first film, the way the character of Inspector Clouseau becomes more distinct… Continue reading Episode 79. SERIOUS SERIES 4: Precocious Pink Panthers
A true giant of film history is our focus this week as Alex and Jonathan take on three films from different eras of the Godzilla franchise: Godzilla (1954), Godzilla vs. King Ghidora (1991), and Godzilla (2014) (with a special shoutout to Shin Godzilla (2016)). We talk about the post-war fears in the themes of the original film, the campy… Continue reading Episode 78. SERIOUS SERIES 3: Gargantuan Godzilla Generations
The Filmlings 