A collaborative exploration of cinematic rhetoric.
Following up on Episode 109 about team sports, Alex and Jonathan step into the ring and tackle three films about individual sports: Rocky (1976), Chariots of Fire (1981), and The Rider (2017). We discuss what makes an underdog story so powerful, when a sports movie falls short of being greater than the sum of its… Continue reading Episode 117. Silver Screen Sports: Individual Glory
Near the end of the American New Wave a group of filmmakers burst on Hollywood with a distinct style and they have since been named "The Movie Brats." Today Alex and Jonathan discuss three films from this group: Jaws (1975), Apocalypse Now (1979), The Untouchables (1987). We talk about how Golden Age Hollywood and the… Continue reading Episode 114. The Movie Brats and the Modern Blockbuster
Friend of the podcast Aaron Johnson joins the show today to talk about three animated films from Europe about various animals: Watership Down (1978), The Plague Dogs (1982), and Felidae (1994). We discuss how animals are used to depict very mature thematic stories, the distinction between Martin Rosen's animation style and the classic Disney look,… Continue reading Episode 107. Brutal Beasts Feat. Aaron Johnson
In the spirit of Halloween, Alex and Jonathan look at the works of John Carpenter, one of the most iconic names in the contemporary horror genre. We watch Halloween (1978), Escape from New York (1981), and The Thing (1982) and discuss the origins of modern horror tropes, world-building, and stellar practical effects. Also on iTunes… Continue reading Episode 97. Creepy Carpenter
Heavens! Today Alex and Jonathan wrap up the Films de Femmes series and look at the varied career of the well-rounded filmmaker and entertainer Elaine May in her films A New Leaf (1971), Mikey and Nicky (1976), and Ishtar (1987). We talk about her background in improvisational comedy, her range of directing styles from comedy… Continue reading Episode 95. Films de Femmes Trois: Elaine May
The grand human dramas of Golden Age director John Huston are the topic today as Alex and Jonathan look at The Treasure of the Sierra Madre (1948), The Asphalt Jungle (1950), and The Man Who Would Be King (1975). We talk about how Huston incorporates real life experience into his writing and directing, how he… Continue reading Episode 94. Huston’s Hollywood
After the studio system ended in the 1960s a new era of American cinema was born known as the American New Wave. Today Alex and Jonathan take a look at three milestones of that era: Bonnie and Clyde (1967), The French Connection (1971), and The Deer Hunter (1978). We talk about how Bonnie and Clyde… Continue reading Episode 90. The American New Wave
Revenge is a universal motivator and today Alex and Jonathan take a look at how it also works to create great stories in Lady Snowblood (1973), Memento (2000), and The Revenant (2015). We talk about the various conclusions about revenge in each movie, creating films that transcend gimmicks, and revenge as an "archegenre" that can… Continue reading Episode 85. Wreaking Revenge
As a follow up to last season's episode on classic film noir, Alex and Jonathan travel through the evolution of the modern subgenre of neo-noir in The Long Goodbye (1973), L.A. Confidential (1997), and Drive (2011). We discuss ways that noir themes cross over into neo-noir, the ways neo-noir uses violence, and the changing aesthetics… Continue reading Episode 84. The New Noir
According to our recent poll for our Patrons, today Alex and Jonathan discuss the ridiculous filmography of British comedy group Monty Python: Monty Python and the Holy Grail (1975), Life of Brian (1979), and The Meaning of Life (1983). We discuss the hallmarks of Monty Python's comedy, various ways to create sketch-based films around a… Continue reading Episode 82. Mighty Preposterous Monty Python
The Filmlings 