A collaborative exploration of cinematic rhetoric.
Travelling back to the Golden Age, Alex and Jonathan take a look at one of the early masters of the budding film medium, Ernst Lubitsch, through his films Ninotchka (1939), The Shop Around the Corner (1940), To Be or Not to Be (1942), and Heaven Can Wait (1943). We discuss Lubitsch's history as a German… Continue reading Episode 128. Long Live Lubitsch
Our Patrons voted on which of the directors we touched on in our Season 1 World Tour we should do a deep dive on and the winner was the essential Japanese director Yasujirô Ozu. We look at his films Late Spring (1949), Floating Weeds (1959), and An Autumn Afternoon (1962). We talk about the common… Continue reading Episode 116. …Ozu
From acting, to starting her own production company, to directing both film and television, Alex and Jonathan take a look at the extensive career of Ida Lupino in Hollywood's golden age through her work in High Sierra (1941), The Hitch-Hiker (1953), and The Trouble with Angels (1966). We discuss her popular acting persona as the… Continue reading Episode 112. Mother Lupino
Dorothy Arzner is one of the largest names in the history of Hollywood's female directors, so today Alex and Jonathan look at the themes and relationships in her films Get Your Man (1927), Merrily We Go to Hell (1932), and Dance, Girl, Dance (1940). We talk about how romance differs in Arzner's films from other… Continue reading Episode 111. Dorothy Arzner’s Due
Continuing through our exploration of WWII, Alex and Jonathan turn the focus to the civilian level in Europe and look at the dramatic films Paisan (1946), Army of Shadows (1969), and Schindler's List (1993). We discuss the uniqueness of films being made in the immediate aftermath of the war, the difference in tone between war… Continue reading Episode 104. WWII: Drama
Season 4 of the podcast is kicking off with a deep-dive into the cinema before, during, and after World War II. For the first installment Alex and Jonathan look at the propaganda of the war in Triumph of the Will (1935), Why We Fight: Prelude to War (1942), and Momotaro, Sacred Sailors (1945). We talk… Continue reading Episode 101. WWII: Propaganda
After nearly a hundred episodes, Alex and Jonathan finally get around to some of the biggest films in cinema history, specifically in the romance genre. We take a look at Gone with the Wind (1939), Casablanca (1942), and West Side Story (1961) and discuss the effect of the studio system on large budget productions, elements… Continue reading Episode 99. You’ve Probably Heard of this One Before
The grand human dramas of Golden Age director John Huston are the topic today as Alex and Jonathan look at The Treasure of the Sierra Madre (1948), The Asphalt Jungle (1950), and The Man Who Would Be King (1975). We talk about how Huston incorporates real life experience into his writing and directing, how he… Continue reading Episode 94. Huston’s Hollywood
Diving into maybe the darkest genre in film-history, Alex and Jonathan take a look at the moral complexity of film noir in The Maltese Falcon (1941), Double Indemnity (1944), and Touch of Evil (1958). We talk about the increasing darkness of the subject matter as the period goes on, common elements like the femme fatale, and the continuing… Continue reading Episode 71. Detectives, Dames, and Deception
Michael Powell and Emeric Pressburger's directing team known as "The Archers" is the topic of discussion today as Alex and Jonathan take a look at The Life and Death of Colonel Blimp (1943), A Matter of Life and Death (1946), and Black Narcissus (1947). We talk about the way the Archers formed and resolved to make films, how they blend… Continue reading Episode 68. The Artsy Archers: A Portrait of Powell and Pressburger
The Filmlings 