A collaborative exploration of cinematic rhetoric.
Heavens! Today Alex and Jonathan wrap up the Films de Femmes series and look at the varied career of the well-rounded filmmaker and entertainer Elaine May in her films A New Leaf (1971), Mikey and Nicky (1976), and Ishtar (1987). We talk about her background in improvisational comedy, her range of directing styles from comedy… Continue reading Episode 95. Films de Femmes Trois: Elaine May
Continuing our series focusing on female filmmakers, Alex and Jonathan take a look at the narrative and documentary career of French New Wave pioneer Agnes Varda in her films Le Bonheur (1965), The Gleaners & I (2000), and Faces Places (2017). We talk about Varda's capacity for biting social commentary, her empathy for her documentary… Continue reading Episode 89. Films de Femmes Deux: Agnes Varda
In the first of a series of episodes focusing on the cinematic contributions of female directors, Alex and Jonathan look at the career of Sofia Coppola in The Virgin Suicides (1999), Lost in Translation (2003), and The Beguiled (2017). We talk about Coppola's atmospheric style, the way she presents the relationship between men and women… Continue reading Episode 83. Films de Femmes: Sofia Coppola
The Filmlings 